leslie west soundcheck brave words bloody

Leslie west soundcheck brave words bloody series#

‘Empty Promises/Nothing Sacred’ can’t fail as a power chord homage to AC/DC, as Leslie’s red raw vocal attacks the song with the kind of vigour that made him such a power-house with Mountain.

And while he strikes a happy medium between expressive phrasing and hefty guitar parts, it’s his inherent interpretive ability that glues the whole album together. There’s also an original arrangement of Tracy Chapman’s ‘Give Me One Reason’.

Leslie west soundcheck brave words bloody series#

West’s beautifully nuanced slide is the closest he gets to indelible stamping his mark on a series of covers. The suitably titled ‘Here For The Party’ provides the touch paper to ignite a powerful combination of his caustic growl and big riffs, but just when you expect him to crank things up he surprisingly opts for a more reflective feel on ‘You Are My Sunshine’ with guest Peter Frampton. When Leslie pours all his energy and angst into his big solos the walls start to shake. They nail the big toned solos but lose sight of the bigger picture and as a result the album is an aggregation of good ideas lacking an overall concept. Together with co-producer Mike Goldberg, Leslie seems to have focused on the micro rather than the macro. He sounds totally committed on the funky electronic intro and growled vocals of ‘Left By The Roadside To Die’, as he moves from acoustic and electric to slide on a rocky opener that curiously doesn’t really represent the album as a whole.įor all its introductory swagger, ‘Soundcheck’ doesn’t quite get out of the blocks because of a palpable lack of direction and decent material. His guitar playing marks a welcome return to form after diabetes left him with one leg. On the brighter side, West effortlessly reclaims his title as the ‘king of tone’ with a cluster of big sounding solos, tempered by sumptuous slide. The much heralded liaison with Jack Bruce on a live cut of ‘Spoonful’ is short on inspiration and audio quality, but is rescued by Leslie’s shrill solo that gives the jam some welcome edge and intensity. He’s joined by several guests including Brian May on ‘Going Down’, an overly familiar cover that robs the song of its true impact. ‘Soundcheck’ is really all about his expansive guitar playing. ‘Soundcheck’ is probably more of a significant album title than you might originally realize, if only because the arrangements on this album sounds like something Leslie West might tinker with in that dead time just before the doors open.

the following tracks: “Dyin’ Since The Day I Was Born”, “Fade Into You”, “Long Red”, “Don’t Ever Let Me Go” and more.Share the post 'Album review: LESLIE WEST – Soundcheck' Still Climbing is an album by Leslie West, released in 2013. The rock album is available in the following configurations: the following tracks: “Left By The Roadside To Die”, “Here For The Party”, “Stand By Me”, “Eleanor Rigby” and more. Soundcheck is an album by Leslie West, released in 2015. Editado por el sello Mascot/Provogue el pasado 11 de Marzo de 2022. Publicado originalmente en 2015, incluye 11 versiones de diferentes bandas y artistas como The Beatles, Willie Dixon, Tracy Chapman o Don Nix, además de colaboraciones de colosos como Peter Frampton, Brian May o Jack Bruce. Reedición limitada en vinilo de color rojo transparente de “Soundcheck”, álbum de estudio del músico y compositor neoyorkino Leslie West.